Inside Karen Salicath Jamali’s “Mary’s Blessing”

With her latest piano piece, “Mary’s Blessing,” composer, sculptor, and multidisciplinary artist Karen Salicath Jamali invites listeners into a moment of peace — a quiet space where sound feels like light. Known for creating from dreams and intuition, Jamali continues to blur the lines between the earthly and the divine, between the real and the imagined.

The composition, recorded on her Steinway grand piano, arrived to her as many of her works do — through a dream. It’s not a metaphor; Karen Salicath Jamali literally dreams her music before she plays it. “Mary’s Blessing” carries that same clarity, unfolding in calm, reflective movements that feel like slow breathing. Each note lands with purpose, carrying a subtle emotional gravity that speaks of care, surrender, and protection.

But what makes the piece powerful is not its complexity — it’s its intention. The simplicity here isn’t minimalism; it’s mindfulness. Jamali plays as if in conversation with something unseen, using restraint as a way to amplify grace. The accompanying artwork, featuring her own sculpture Mary, deepens this dialogue between sound and vision — between creation and creator. Both works mirror one another: meditative, maternal, and quietly radiant.

Karen Salicath Jamali’s creative journey is as striking as her art. A near-death experience in 2012 altered her path forever, unlocking a musical voice she hadn’t known she possessed. Without prior training, she began composing as a way of healing, eventually building a vast repertoire that now includes over 2,500 compositions and eight albums. Her performances at Carnegie Hall — eight times to date — stand as milestones in a career that redefines what it means to follow inspiration wherever it leads.

The track’s mastering by Maria Triana (known for her work with Aretha Franklin and Sting) brings out the purity of Karen Salicath Jamali’s tone, ensuring that the music’s luminous detail feels as intimate as it was intended.

Beyond music, Jamali’s creativity continues to expand. Her recently launched Angel Collection — a fashion line designed and handmade in Italy — echoes the same spiritual elegance found in her compositions and sculptures. For her, every medium is an extension of the same message: to create beauty that connects.

In “Mary’s Blessing,” Karen Salicath Jamali doesn’t perform for attention — she listens, channels, and shares. The result is music that feels like a benediction — a gift of calm in a world that rarely pauses long enough to receive it.